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 (5.0 / 5.0) <P>Scott McCloud tore down the wall between high and low culture in 1993 with Understanding Comics, a massive comic book about comics, linking the medium to such diverse fields as media theory, movie criticism, and web design. In Reinventing Comics, McCloud took this to the next level, charting twelve different revolutions in how comics are generated, read, and perceived today. Now, in Making Comics, McCloud focuses his analysis on the art form itself, exploring the creation of comics, from the broadest principles to the sharpest details (like how to accentuate a character's facial muscles in order to form the emotion of disgust rather than the emotion of surprise.) And he does all of it in his inimitable voice and through his cartoon stand–in narrator, mixing dry humor and legitimate instruction. McCloud shows his reader how to master the human condition through word and image in a brilliantly minimalistic way. Comic book devotees as well as the most uninitiated will marvel at this journey into a once–underappreciated art form.
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$12.35 |
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 (4.5 / 5.0) Following the success of the first edition, the updated and revised DC Comics Encyclopedia offers even more incredible DC detail and imagery than the original. 48 brand-new pages include major updates on characters and storylines (including the recent "Infinite Crisis" story arc). This spectacular, up-to-the-minute encyclopedia will delight comic fans of every age.
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$23.89 |
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 (4.0 / 5.0) The 9/11 Report for Every American On December 5, 2005, the 9/11 Commission issued its final report card on the government’s fulfillment of the recommendations issued in July 2004: one A, twelve Bs, nine Cs, twelve Ds, three Fs, and four incompletes. Here is stunning evidence that Sid Jacobson and Ernie Colón, with more than sixty years of experience in the comic-book industry between them, were right: far, far too few Americans have read, grasped, and demanded action on the Commission’s investigation into the events of that tragic day and the lessons America must learn. Using every skill and storytelling method Jacobson and Colón have learned over the decades, they have produced the most accessible version of the 9/11 Report. Jacobson’s text frequently follows word for word the original report, faithfully captures its investigative thoroughness, and covers its entire scope, even including the Commission’s final report card. Colón’s stunning artwork powerfully conveys the facts, insights, and urgency of the original. Published on the fifth anniversary of the terrorist attacks on the United States, an event that has left no aspect of American foreign or domestic policy untouched, <I>The 9/11 Report puts at every American’s fingertips the most defining event of the century.
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$4.92 |
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(4.5 / 5.0) The essential resource for comic collectors, The Official Overstreet Comic Book Price Guide includes more than 2,000 black-and-white illustration, a gallery of hundreds of color images of some of the most popular collectible comic books, and informative essays written by top experts on important comic book topics. <br><br>Key features include:
• An introduction to using the book that is illustrated in a comic-style • Market review and forecast • Tips on grading and maintaining a collection<br>• The latest pricing information for thousands of comic books.<br><b>Robert M. Overstreet is the foremost expert in the comic book industry. He set the standard in 1970 with the first comic book price guide and continues to reign as the field leader.
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$18.25 |
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(5.0 / 5.0) <B>A boxed set of the first two volumes, just in time for the holidays, designed by the Award-winning graphic novelist, Seth! Ships shrinkwrapped.<P>The first volume, The Complete Peanuts 1950-1952, covers the first two and a quarter years of the strip (October 1950 through December 1952), and will be of particular fascination to Peanuts aficionados worldwide: Although there have been literally hundreds of Peanuts books published, many of the strips from the series' first two or three years have never been collected before—in large part because they showed a young Schulz working out the kinks in his new strip and include some characterizations and designs that are quite different from the cast we're all familiar with (Among other things, three major cast members—Schroeder, Lucy, and Linus—initially show up as infants and only "grow" into their final "mature" selves as the months go by. Even Snoopy debuts as a puppy!). <P>The second volume, The Complete Peanuts 1953-1954, begins with <I>Peanuts' third full year and a cast of eight: Charlie Brown, Shermy, Patty, Violet, Schroeder, Lucy, the recently born Linus, and Snoopy. By the end of 1954, this will have expanded to nine. Linus still doesn't speak (except, on a few occasions, to himself, à la Snoopy), but Schulz begins laying the foundation for his emergence as the most complex and arguably most endearing character in the strip: garrulous and inquisitive, yet gentle and tolerant. And he evens acquires his "security blanket" in this volume! Meanwhile, Lucy, an infant just a year ago, has forcefully elbowed herself to the front of the cast, proudly wearing her banner as a troublemaker or, in Schulz's memorable phrase, "fuss-budget." The strong, specific relationships she sets up with each character further contributes to making her central to the strip. (She has earned her cover status on this volume.) This period's significant new character is Pig-Pen, who would remain one of the main cast members throughout the decade. And then there's Snoopy. To readers unfamiliar with the early days of the strip, Snoopy's appearances here will no doubt come as the biggest surprise. Although Snoopy has started talking/thinking to himself, he does no imitations (except for one brief shark impression), he doesn't sleep atop his doghouse (much less type or fly a Sopwith Camel), and has no fantasy life—in fact, he doesn't even walk upright! But as we know, he is merely biding his time, and his evolution continues its fascinating course within these pages.
Peanuts is the most successful comic strip in the history of the medium as well as one of the most acclaimed strips ever published. (In 1999, a jury of comics scholars and critics voted it the 2nd greatest comic strip of the 20th century—second only to George Herriman's <I>Krazy Kat, a verdict Schulz himself cheerfully endorsed.) Charles Schulz's characters—Charlie Brown, Snoopy, Lucy, Linus, Schroeder, and so many more—have become American icons. A United Media poll in 2002 found Peanuts to be one of the most recognizable cartoon properties in the world, recognized by 94 percent of the total U.S. consumer market and a close second only to Mickey Mouse (96 percent), and higher than other familiar cartoon properties like Spider-Man (75 percent) or the Simpsons (87 percent). In TV Guide's "Top 50 Greatest Cartoon Characters of All-Time" list, Charlie Brown and Snoopy ranked #8.
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$30.98 |
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(4.5 / 5.0) The volume of stunning artistry and memorable characters in this one-of-a-kind guide is staggering, and entices both avid collectors and casual fans. Readers will find comic books from various genres, produced between 1930 and the present, each represented by its cover and background details including publisher, year of imprint, series and issue numbers, intriguing story notes and the reason it was chosen for this unique book.
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$18.69 |
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(4.5 / 5.0) Our leaders swear to uphold it, our military to defend it. It is the blueprint for the shape and function of government itself and what defines Americans as Americans. But how many of us truly know our Constitution? <P><I>The United States Constitution: A Graphic Adaptation uses the art of illustrated storytelling to breathe life into our nation’s cornerstone principles. Simply put, it is the most enjoyable and groundbreaking way to read the governing document of the United States. Spirited and visually witty, it roves article by article, amendment by amendment, to get at the meaning, background, and enduring relevance of the law of the land. What revolutionary ideas made the Constitution’s authors dare to cast off centuries of rule by kings and queens? Why do we have an electoral college rather than a popular vote for president and vice president? How did a document that once sanctioned slavery, denied voting rights to women, and turned a blind eye to state governments running roughshod over the liberties of minorities transform into a bulwark of protection for all? The United States Constitution answers all of these questions. Sure to surprise, challenge, and provoke, it is hands down the most memorable introduction to America’s founding document.
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$4.60 |
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(4.0 / 5.0) For any writer who wants to become an expert comic-book storyteller, <i>The DC Comics Guide to Writing Comics is the definitive, one-stop resource!
In this valuable guide, Dennis O’Neil, a living legend in the comics industry, reveals his insider tricks and no-fail techniques for comic storytelling. Readers will discover the various methods of writing scripts (full script vs. plot first), as well as procedures for developing a story structure, building subplots, creating well-rounded characters, and much more. O’Neil also explains the many diverse formats for comic books, including graphic novels, maxi-series, mega-series, and adaptation. Of course, there are also dozens of guidelines for writing proposals to editors that command attention and get results.
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$11.84 |
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(4.5 / 5.0) <p>“<strong>The Supergirls is a long overdue tribute to the fabulous fighting females whose beauty and bravery brighten the pages of your favorite comics.”—Stan Lee<p>“<strong>Mike Madrid's fast-moving, encyclopedic, and often funny Supergirls shows the author's lifelong affection for these heroines on every page. He has a great feel for the genre and its history, with evident sensitivity to issues of female power and powerlessness. The section on the <em>She-Hulk is not to be missed!”—Larry Gonick, Cartoon History of the Universe
“Entertaining and informative, Supergirls is a breezy and thoroughly accessible history of the comic book heroine. A great resource!”—<strong>Marc Andreyko, Manhunter and Torso “The Supergirls, Mike Madrid's book about the evolution of female comic-book characters, is sharp and lively — and just obsessive enough about women who wear capes and boots to be cool but not creepy. The guy clearly loves this stuff. And he's enough of a historian to be able to trace the ways in which the portrayal of sirens and supergirls has echoed society's ever-changing feelings about women and sex. The book has some illustrations, but no comic-book art. That's a bit of a drag, but presumably a function of how much the rights to the artwork would have cost. In any case, all the lovely crime fighters that Madrid champions are as close as a comic-book store.”—Entertainment Weekly “...Even as it delivers its clear-eyed critique of the way mainstream superhero comics have alternately eroticized or deified female characters, The Supergirls gleefully celebrates the medium itself, in all its goofy, glorious excess.”—NPR A much-needed alternative history of American comic book superheroines—from Wonder Woman to Supergirl and beyond—where they fit in popular culture and why, and what these crime-fighting females say about the role of women in American society from their creation to now, and into the future. The Supergirls is an entertaining and informative look at these modern-day icons, exploring how superheroines fare in American comics, and what it means for the culture when they do everything the superhero does, but in thongs and high heels. Has Wonder Woman hit the comic book glass ceiling? Is that the one opposition that even her Amazonian strength can’t defeat?<p><strong>Mike Madrid, a San Francisco–based refugee from the world of advertising, is a lifelong fan of comic books and popular culture. His goal is to inform and entertain readers with a new look at modern-day icons. He’s popular culture editor for Exterminating Angel Press and the creator of www.heaven4heroes.com, where comic book fantasies come to life.
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$10.25 |
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(4.5 / 5.0) <p>Japan's output of manga is massive, accounting for a staggering forty percent of everything published each year in the country.Outside Japan, there has been a global boom in sales, with the manga aesthetic spreading from comics into all areas of Western youth culture through film, computer games, advertising, and design.
Manga: Sixty Years of Japanese Comics presents an accessible, entertaining, and highly-illustrated introduction to the development and diversity of Japanese comics from 1945 to the present. Featuring striking graphics and extracts from a wide range of manga, the book covers such themes as the specific attributes of manga in contrast to American and European comics; the life and career of Osamu Tezuka, creator of Astro Boy and originator of story manga; boys' comics from the 1960s to the present; the genres and genders of girls' and women's comics; the darker, more realistic themes of gekiga -- violent samurai, disturbing horror and apocalyptic science fiction; issues of censorship and protest; and manga's role as a major Japanese export and global influence.
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$13.73 |