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 (4.5 / 5.0)
From Creation to the death of Joseph, here are all 50 chapters of the Book of Genesis, revealingly illustrated as never before.strong> Envisioning the first book of the bible like no one before him, R. Crumb, the legendary illustrator, reveals here the story of Genesis in a profoundly honest and deeply moving way. Originally thinking that we would do a take off of Adam and Eve, Crumb became so fascinated by the Bible’s language, “a text so great and so strange that it lends itself readily to graphic depictions,” that he decided instead to do a literal interpretation using the text word for word in a version primarily assembled from the translations of Robert Alter and the King James bible.
Now, readers of every persuasion—Crumb fans, comic book lovers, and believers—can gain astonishing new insights from these harrowing, tragic, and even juicy stories. Crumb’s Book of Genesis reintroduces us to the bountiful tree lined garden of Adam and Eve, the massive ark of Noah with beasts of every kind, the cities of Sodom and Gomorrah destroyed by brimstone and fire that rained from the heavens, and the Egypt of the Pharaoh, where Joseph’s embalmed body is carried in a coffin, in a scene as elegiac as any in Genesis. Using clues from the text and peeling away the theological and scholarly interpretation that have often obscured the Bible’s most dramatic stories, Crumb fleshes out a parade of Biblical originals: from the serpent in Eden, the humanoid reptile appearing like an alien out of a science fiction movie, to Jacob, a “kind’ve depressed guy who doesn’t strike you as physically courageous,” and his bother, Esau, “a rough and kick ass guy,” to Abraham’s wife Sarah, more fetching than most woman at 90, to God himself, “a standard Charlton Heston-like figure with long white hair and a flowing beard.” <br /> As Crumb writes in his introduction, “the stories of these people, the Hebrews, were something more than just stories. They were the foundation, the source, in writing of religious and political power, handed down by God himself.” Crumb’s Book of Genesisem>, the culmination of 5 years of painstaking work, is a tapestry of masterly detail and storytelling which celebrates the astonishing diversity of the one of our greatest artistic geniuses. .
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| $13.72 |
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 (4.5 / 5.0)
Anyone who knows R. Crumb’s work as an illustrator knows of his passion for music. And all those who collect his work prize the Heroes of the Blues, Early Jazz Greats, and Pioneers of Country Music trading card sets he created in the early to- mid-1980s. Now they are packaged together for the first time in book form, along with an exclusive 21-track CD of music selected and compiled by Crumb himself (featuring original recordings by Charley Patton, “Dock” Boggs, “Jelly Roll” Morton, and others). A bio of each musician is provided, along with a full-color original illustration by the cartoonist. A characteristically idiosyncratic tribute by an underground icon to the musical innovators who helped inspire him, R. Crumb’s Heroes of Blues, Jazz & CountryI> is a must-have collection for Crumb aficionados, comics fans, and music lovers alike.
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| $8.61 |
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 (1.0 / 5.0)
<DIV><DIV>This calendar, based on Abrams' popular book <I>R. Crumb's Heroes of Blues, Jazz & Country, features a different music legend for each month of the year and comes with six postcards.
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| $7.37 |
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 (5.0 / 5.0)
A classic volume of the definitive <em>Complete Crumb library, back in print after years of unavailability!The Complete Crumb Comics Vol. 4: Mr. Sixties! continues the multi-volume series comprising the complete works of the legendary cartoonist R. Crumb, one of America's most original, trenchant, and uncompromising satirists. The series includes the earliest, heretofore unpublished comic strips, as well as his sketchbooks, underground comix, dramatic and autobiographical strips, and his classic cartoon creations Fritz the Cat and Mr. Natural. In this volume: <em>Zapem> #0 & #1 ("Keep On Truckin'!"), Crumb's work from the East Village Other and <em>Yarrowstalksem>, plus much rare art, some of Crumb's long-lost American Greetings cards from the '60s, and more. <br />"I figured it out somehow — the way to put the stoned experience into a series of cartoon panels. I began to submit LSD-inspired strips to underground papers... not for pay... never gave it a thought... but they loved them. These 1967 strips of mine contained the hopeful spirit of the times, drawn in a more lovable 'bigfoot' style. The stuff caught on. They wanted more. Suddenly I was able to churn it out... late that summer one of the underground paper publishers asked me to do an entire issue of his paper Yarrowstalks (corny hippy spiritual stuff — 'yarrowstalks' are what they used to throw the 'I Ching'). This went over so well that he suggested I draw comic books and he would publish them. This was a thrilling idea to me — a dream come true..."em>—R. Crumb, from his introduction to this volume 16 color, 128 black & white illustrations.
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| $12.39 |
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 (5.0 / 5.0)
Now in paperback, this book is a widely acclaimed retrospective collection of the work by the brilliant and influential underground artist, R.
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| $25.73 |
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 (5.0 / 5.0)
A perennial classic: the complete cartoon work of the underground cartoonist for 1970 and 1971.strong> Back in print after a several-year absence, and with Crumb’s popularity ever-rising, the seventh volume of The Complete Crumb Comics spotlights Crumb’s work from 1970 and 1971, the peak years of Crumb’s hippie stardom which led to “the grip of paralyzing, crippling self-consciousness that for years became increasingly harder to push past,” as Crumb writes in his introduction. Included from this era is the entirety of Crumb’s work from underground classics such as ZAP, <em>The East Village Other, Bijou, Mr. Natural, Uneeda, <em>Esquireem>, and much more, including strips featuring classic Crumb characters like Fritz the Cat, Flakey Foont, Angelfood McSpade, Bo Bo Bolinski, and Shuman the Human. 16 color, 128 b&w illustrations.
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| $11.94 |
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 (4.5 / 5.0)
A Crumb classic featuring his signature creation, available in hardcover for the first time! This collection features over 120 pages of vintage Crumb comics starring the white-bearded, diminutive sage-cum-charlatan, ranging from charming, free-wheeling early ’70s stories to the disturbing, controversial ’90s stories (as seen in the Crumb movie), including the entire 40-page “Mr. Natural and Devil Girl” epic. Crumb’s Mr. Natural is probably the most famous underground character of all (topping even Fritz the Cat and the Freak Brothers), recognizable even to “civilians.” Don’t miss this opportunity to snatch up this jam-packed collection of comics from one of the all-time masters! 112 pages of black-and-white comics.
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| $13.49 |
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 (5.0 / 5.0)
The multiple award-winning The Complete Crumb Comics series—the definitive, comprehensive series reprinting the entirety of Crumb's oeuvre—enters the mid-1980s with this 16th volume, a period that many critics consider to be the richest of Crumb's career. Anchored by Crumb's contributions to the seminal anthology Weirdo, created and edited by Crumb, this volume focuses on the years 1985-1987 and includes the seminal "Jelly Roll Morton's Voodoo Curse," from Art Spiegelman's RAW magazine. Also featured are Crumb's gorgeous "Pioneers of Country Music" color portrait series, and such Weirdo classics as "The Religious Experience of Philip K. Dick," which chronicles the last years of the highly-regarded science-fiction writer who experienced an intense vision of the apocalypse and believed that he was possessed by the spirit of Elijah. <P>Also included is Crumb's first issue of <I>HupI>, his acclaimed solo series of the 1980s and 1990s. The book is rounded out with a new cover and introduction by Crumb and a color section that includes rare album art for various jazz and blues greats, as well reproductions of his various comic book covers from this period. Crumb is the most revealing of all artists, and The Complete Crumb Comics leaves no stone unturned.
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| $30.04 |
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 (4.0 / 5.0)
He's been called a genius and a "world-class malcontent." R. Crumb, the visionary founder of the underground comics movement and unwilling hipster to multiple generations, celebrated for his viciously funny take on modern America, is also lauded as a draughtsman on par with Breughel. For the first time ever, his drawings of women are collected in one brilliantly offensive yet hilariously poignant volume, in chronological order, spanning the 38 years since his pen-and-ink beginnings. The usual fetishes are on display, natch--the built-from-the-ground-up body type, the lovingly fixated-upon solid thighs and buttocks--but so is Crumb's heart, on his sleeve, in the great tenderness with which he has rendered the women in his life. They're all here: his high-school crushes, his paramours, the girls and women who tormented him--and to whom he gave it right back--or who caught his eye on the street, and, of course, his wife and fiery sometime collaborator, Aline, and their daughter Sophie. Add to this his mistress of fifteen years, and you have not only a catalogue raisonné of Crumb's portraits of women but also a revealing record of a passionate life. Crumb calls it "an autobiography of sorts" and it is--these aren't just portraits of women but the most intimate portrait of Crumb's life in love. Words of wisdom from R. Crumb hisself ( sic): All my life I've loved women and hated 'em at the same time, often at the exact same moment! I realized I was a geek and I wasn't going to make it with the girls. I felt so painfully isolated that I vowed I would get revenge on the world by becoming a famous cartoonist. <BR>The only burning passion I'm sure I have, is the passion for sex. My personal obsession for big women interferes with some people's enjoyment of my work. I knew it was weird and disturbing and even offensive to a lot of people, particularly women. But I couldn't keep it out of the comics. I would always try to give it some sort of metaphorical sense because I derived such masturbatory pleasure out of drawing these women in bizarre situations with these little guys doing stuff to them. Hardcover, 8 x 10 in., 224 pages, 225 b/w Pen & Ink Drawings.
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| $30.00 |
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 (5.0 / 5.0)
The Complete Dirty Laundry Comics collects the two issues of Dirty Laundry Comicsi> as well as other comics that were collaborations between Robert Crumb and his wife Aline Kominsky-Crumb. Against the backdrop of the wild 1970s, the Crumbs appear as themselves in autobiographical vignettes. They wander through various situations ranging from the banal (Aline complaining that she doesn't draw as well as Robert) to the extreme (Robert shoving Aline's face into a pool of vomit). While both of these artists share an almost unrelenting frankness, they each have unique personalities and art styles.
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| $13.05 |